World Figure Skating Championships: Ladies’ Free Skate (photos, post 3 of 5)

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Here are the ladies in group 2: Nicole Rajicova (SVK) Loena Hendrickx (BEL) Xiangning Li (CHN) Ivett Toth (HUN) Mariah Bell (USA) Mai Mihara (JPN)

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World Figure Skating Championships: Ladies’ Free Skate (photos, post 2 of 5)

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Here are the ladies’ performances from group 1. Zijun Li (CHN) Laurine Lecavelier (FRA) Leilani Craine (AUS) Angelina Kuchvalska (LAT) Nicole Schott (GER) Anna Galustyan (ARM)

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World Figure Skating Championships: Ladies’ Free Skate (intro, post 1 of 5)

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I’m baaaaaaack… This is the first of five posts with my photos from the ladies’ free skate at this year’s World Figure Skating Championships in Helsinki. (I promised four posts to my Twitter followers but decided that an introduction was … Continue reading

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World Figure Skating Championships: Men’s Short Program

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Hey guys. I skipped the first couple hours of the Short Dance so I could photographically ogle Yuzuru Hanyu’s ass edit my photos of yesterday’s men’s short program so maybe you can actually see them before the free skate on … Continue reading

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World Figure Skating Championships: Ladies’ Short Program

This gallery contains 15 photos.

Hey, folks, I stayed up way too late editing photos after getting back from today’s pairs free skate so I could bring you yesterday’s ladies’ SP. I think I’m finally getting the hang of Lightroom after five years… Anyway, I … Continue reading

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The rest of the men from the day 2 practice at the World Figure Skating Championships

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Here are the rest of the men that I saw at the second day of practice (recall that I didn’t get to the arena at 6:15 AM like they did so I didn’t see the earliest groups of skaters). I’ll … Continue reading

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Some photos from day 2 of the World Figure Skating Championships

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I’m writing today’s post from Helsinki (accent on the first syllable if you want to sound like a native), where the annual World Figure Skating Championships are being held. It was my intention to take lots of pictures and then … Continue reading

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Quote of the Day

This past weekend, I read a couple of YA novels that took the standard fairy-tale premise of “the prince saves the princess and they lived happily ever after” and turn it around into “the princess saves the princess (and whether they lived happily ever after is a bit more ambiguous)”. That made me want to reread Diane Duane’s groundbreaking “the prince saves the prince” novel, The Door info Fire (1979, revised edition 1984). I’ve quoted from this book once or twice before; it would not be an overstatement to say that it was probably the most important novel of my life after I discovered the first edition in a second-hand bookstore.

In this scene, the Goddess has come to share herself with the main protagonist, Herewiss, who is on a quest (his beloved having been successfully rescued from a siege). She is speaking, somewhat obliquely, maintaining the pretense that She is an innkeeper:

“But at the same time, loss of power, the death of things, is a process that not even the Goddess can stop. Eventually even the worlds will die.”

“So they say.”

Her face was profoundly sorrowful, her eyes shadowed as if with guilt. “The death is inevitable. But we have one power, all men and beasts and creatures of other planes. We can slow down the Death, we can die hard, and help all the worlds die hard. To that purpose it behooves us to let loose all the power we can. To live with vigor, to love powerfully and without caring whether we’re loved back, to let loose building and teaching and healing and all the arts that try to slow down the great Death. Especially joy, just joy itself. A joy flares bright and goes out like the stars that fall, but the little flare it makes slows down the great Death ever so slightly. That’s a triumph, that it can be slowed down at all, and by such a simple thing.”

This is one of three or four scenes in this book that still make me cry every. single. time.

Available from Ebooks Direct as part of the omnibus The Tale of the Five. Duane has announced that the long-promised fourth book in the series, The Door into Sunset, should be completed some time in 2017. (The series has had a somewhat Unfortunate publishing history, and for all the people like me who rave about it, it has never sold as well as Duane’s popular Young Wizards series of YA novels, which explores some of the same themes.)

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Reflections

Sitting here after spending another late morning abed with a book, I came to think for a moment: those authors whose books meant so much to me when I was growing up, they are as much older than me now as they were then — and I’m now in my middle age. Some of them have left us altogether; indeed some of them were no longer living even when I first learned to read. For those who do remain, there is some limit, unknowable but finite, to the work they can yet create to move, inspire, and change us all. I am thankful for them, and for the next generation, and the next one after that, just now rising into their talents.

And yet, even the most heartwarming new tale often leaves me aching. Why can’t I have even a tiny bit of that? I ask myself. Am I so undesirable a person, that no one should ever take even the slightest interest? It is the question, the hurt, that has defined my entire adult life. Perhaps some day, I’ll have an answer. Until then, I’ll keep on living the only way I know how — and keep on reading. And crying.

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Leftover cream + chocolate = truffles!

Last weekend, I made a chocolate layer cake using Alice Medrich’s whipped chocolate ganache as filling. Ganache, of course, requires cream, and making ganache from high-test chocolate requires more cream to balance out the cocoa butter and keep the result from hardening beyond the point of whippability. The chocolate that I used last week was Valrhona Manjari 64%, which required 2¼ cups, or just more than a pint. (In retrospect, it was so stiff before whipping that it could probably have used more than that!) Since cream comes in pints(*), that meant that I had 1¾ cups of cream left over, and that meant that this weekend would involve making truffles, there being few other useful and simple things to do with leftover cream.

I followed Alice Medrich’s recipe for “Classic Ganache Truffles” (Seriously Bitter Sweet, Artisan, 2013; p. 109), and made two separate batches. This recipe calls for 7 fluid ounces of cream for every 10 ounces of chocolate, so I had to use two different chocolates (and also had to scale the recipe slightly for the second batch, as I was 50 ml short on cream after making up the difference when my first batch of scalding cream boiled over). The first batch (full size) was done with more Valrhona Manjari, of which I had about a pound remaining, and the second batch (scaled down) was done with Madécasse 63% baking discs — which are tasty enough but may have too high a proportion of cocoa butter for this recipe. I also added a tablespoon of Grand Marnier to the second batch (which I wouldn’t have done with the Manjari), and increased the chocolate by an ounce (before scaling) as directed in the recipe. The process is otherwise the same as described in my September, 2015, post, including the use of the #100 disher to portion the ganache. I rolled the Manjari truffles in chopped, toasted hazelnuts, and the Grand Marnier truffles in black cocoa powder.

A small handful of these would make an ideal lovers’ dessert for Valentine’s Day, except of course that I have no lover to share them with. So like most of my sweet baking, they came into the office with me on Monday, but I wasn’t able to give them away because the Institute was officially closed due to a snowstorm that didn’t really storm. I put them in the refrigerator at work for another overnight, and I’ll take them out Tuesday to warm up an hour or two before I hand them out.

(*) For readers from outside the U.S.: a U.S. pint is 16 fluid ounces, not 20 as in Imperial measure, or 473 ml. For culinary purposes, we now use a “metric pint” of 480 ml (32 tablespoons at 15 ml per). The U.S. Food and Drug Administration defines a cup, for nutritional labeling purposes, as exactly 240 ml.

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